Select Publications

Refereed Journals

Claire Nee, Martin White, Kirk Woolford, Tudor Pascu, Leon Barker & Lucy Wainwright (2014): New methods for examining expertise in burglars in natural and simulated environments: preliminary findings, Psychology, Crime & Law, DOI: 10.1080/1068316X.2014.989849

Woolford, K., Dunn, S, (2013) “Experimental Archeology and Serious Games: Challenges of Inhabiting Virtual Heritage”, ACM Journal of Computing and Cultural Heritage, 6, pp 16:1–16:15. doi:10.1145/2532630.2532632

Woolford, K. (2013) “New Photography: A Perverse Confusion Between the Real and the Live”, Leonardo Electronic Almanac, Vol. 19, No. 3, Leonardo Electronic Almanac. Leonardo/ISAST, pp. 88–107.

Woolford, K, Blackwell, A, Norman, S, Chevalier, C. (2010) “Crafting a Critical Technical Practice”, Leonardo, MIT Press, vol 43, pp. 202-203. (ISSN:0024-094X, doi:10.1162/leon.2010.43.2.202)

Norman, S, Blackwell, A, Woolford, K, (2010) “Gesture and Embodied Interaction: Capturing Motion/Data/Value”, Leonardo, MIT Press, vol 43, pp. 198-199. (ISSN:0024-094X, doi:10.1162/leon.2010.43.2.202)

Woolford. K. (2006) “Will.0.w1sp (‘willo-wisp’), Performance Research, 11(4), pp.30–38.

Kozel, S and Woolford, K. (1999) "Utterance 5: Mesh Performance Partnerships". On Line: Performance Research, Vol. 4: No. 2, Summer 1999. pp. 61-64.

Woolford, K. (1996) “Grinding Pearls into Java”, Lab Jahrbuch 1995/96 für Künste und Apparate der Kunsthochschule für Medien Köln, Reck, Zielinski, Röller eds, Walter König: Cologne, pp 89-91.

Woolford, K. (1996) “VRB?”, Die Zukunft des Körpers (The future of the Body) Kunstforum International, Ruppeicheroth, S, ed., vol 132, Nov-Jan 1995/96, pp. 188-193.

Woolford, K. (1994) “A touch at the end of the century”, Lab 1, Das Magazin der Kunsthochschule für Medien, Cologne, pp. 72-75.


Book Chapters

Woolford K, Dunn S., (2014) "Micro-Mobilities and Affordances of Past Places", Past Mobilities: Archaeological Approaches to Movement and Mobility, Leary, J., ed. Ashgate Publishing: Farhnam, pp. 113-128. DOI: 978-1-4094-6445-7

Dunn, S, Woolford, K., (2013) “Reconfiguring experimental archaeology using 3D reconstruction”, Electronic Visualisation in Arts and Culture, Springer Verlag 2013 pp 277-291.

Woolford, K., (2008) “Recognising Ourselves: Will.0.w1sp, Mirror Neurons, and Biological Motion”, TeDance: Perspectives on Technologically Expanded Dance, ed. Daniel Tércio, Faculdade de Motricidade Humana, pp. 121-129. (ISBN: 987-972-735-160-2)

Atzori, P and Woolford, K. (1997) “Extended-Body: Interview with Stelarc”, Digital Delirium, eds. Arthur Kroker,
Marilouise Kroker, St. Martin's Press, 1997, pp 194-199.

Woolford, K. (1996) “Tactile Dialogue”, Les Cinq sens de la creation: Art, technologie et sensorialité, Borillo, M & Sauvageto, A., Éditions Champ Vallon: Seyssel, pp. 91-95.


International Conference Proceedings

Woolford, K., (2017) " Breakdown Harmonica: Extending Laban Notation with Video Game Development Tools", Proceedings of the 2017 International Workshop on Movement and Computing (MOCO '17). ACM, New York, NY, USA

Woolford, K., (2015) "Defining accuracy in the use of Kinect v2 for exercise monitoring", Proceedings of the 2nd International Workshop on Movement and Computing (MOCO '15). ACM, New York, NY, USA, 112-119. DOI=10.1145/2790994.2791002

Woolford, K. (2014) "Capturing Human Movement in the Wild", in Proceedings of the 2014 International Workshop on Movement and Computing (MOCO '14). ACM, New York, NY, USA, Pages 19-25 DOI=10.1145/2617995.2617999

England, D., Spence, C. Latulip, C., Edmonds, E., Candy, L., Bryan-Kinns, N., Schiphorst, T., Woolford, K. (2014) "Curating the Digital: Spaces for Art and Interaction", CHI '14 Extended Abstracts on Human Factors in Computing Systems (CHI EA '14). ACM, New York, NY, USA, 21-24. DOI=10.1145/2559206.2559222

David England, Jocelyn C. Spence, Celine E. Latulipe, Ernest A. Edmonds, Linda Candy, Thecla Schiphorst, Nick Bryan-Kinns, and Kirk Woolford. (2014). "Art and interaction SIG: cataloging the digital arts", Proceedings of the extended abstracts of the 32nd annual ACM conference on Human factors in computing systems (CHI EA '14). ACM, New York, NY, USA, 1115-1118. DOI=10.1145/2559206.2559210

Dunn, S, Woolford, K, “Reconfiguring experimental archaeology using 3D reconstruction”, EVA London 2012 Electronic Visualisation and the Arts, Computer Arts Society, British Computer Society, 2012, pp. 172-178.

Dunn, S, Woolford, K, et al, “Motion in Place: a Case Study of Archaeological Reconstruction Using Motion Capture”, Revive the Past: Proceedings of the 39th Conference in Computer Applications and Quantitative Methods in Archaeology, Amsterdam University Press, 2012, 98-106.

Woolford, K, Dunn, S, “Motion in Place Platform: Virtual (Re)Presentations of Iron Age Movement”, Proceedings of The International Society of Electronic Arts 2011, 2011, online at (http://isea2011.sabanciuniv.edu/paper/motion-place-platform-virtual-representations-iron-age-movement, accessed 12 Jan 12.

Woolford, K., Guedes, C, “Echo Locations”, Proceedings of the International Conference on Computer Graphics
and Interactive Techniques, ACM SIGGRAPH 2008 Talks, 2008, article 17. (ISBN: 978-1-60558-343-3, doi:10.1145/1401032.1401055)

Woolford, K., Guedes, C, “Particulate Matters: Generating Particle Flows from Human Movement”, Proceedings of the 15th International Conference on Multimedia, ACM MM,07, 2007, pp 691-696.

Woolford. K., “Will.0.w1sp – Installation Overview”, Proceedings of the 15th International Conference on
Multimedia, ACM MM,07, 2007, pp 379-380.

Guedes, C and Woolford, K (2007) “Controlling aural and visual particle systems through human movement”,
In: Immersed Music: International Computer Music Conference (ICMC) Copenhagen, DK, pp 180-183.

Guedes, C, Woolford, K. (2007) “Controlling aural and visual particle systems through human movement”,
Proceedings SMC’07, 4th Sound and Music Computing Conference, Lefkada Gr, pp 200-203.

Woolford, K, “Physical Dialogue in a Networked Environment”, Proceedings of the IFIP workshops on Virtual Environments, Springer Verlag, 1994, pp 121-125.


Catalogues and Other Publications

Woolford, K., Guedes, C, (2008) “Echo Locations” International Conference on Computer Graphics and Interactive Techniques, ACM SIGGRAPH 2008 Art Gallery, p 76. (ISBN: 978-1-60558-344-0, doi:10.1145/1400385.1400431)

Woolford, K. (2006) “Will.0.w1sp", Inspiration to Order, California State University Stanislaus, 2006.

Woolford, K. (2006) Installation to Instrument: Rebuilding Will.0.w1sp for “Listening Between the Lines” at Ars Electronica 05”, (re)Actor:The First International Conference on Digital Live Arts, The Octagon, September 11th 2006, http://www.digitalliveart.com/archive/2006/papers.htm (accessed 12 Feb 2012)

Woolford, K (1995) “Aurora on the Line”, Cyberarts 95: Prix Ars Electronica, Leopoldselder & Schöpf, eds, Springer Verlag,

Woolford, K., Stenslie, S. (1994) “CyberSM III”, International Society of Electronic Arts, 1994 (ISEA ’94), p 114.


Peer-reviewed Conference Papers:

Woolford, K., (2014) “Holding Moments in Place”, International Society of Electronic Arts (ISEA 2014), Dubai UAE

Winters, I., Coniglio, M., Woolford, K., Macallum J., Naccorato, T., (2014) “Choreographies of attention and control: biosensors, networks and embodiment in installation and performance”, International Society of Electronic Arts (ISEA 2014), Dubai UAE

Woolford, K., (2013) “Tracing Time: The Art and Science of Visualising Human Motion”, EVA London 2013 Electronic Visualisation and the Arts, Computer Arts Society, British Computer Society

Nee, C., White, M., Woolford, K. (2012) “Examining Expertise In Residential Burglars: The Results Of A Pilot Study Using Innovative Technology”, American Society of Criminology (ASC) Annual Meeting 2012,

Woolford, K., Dunn, S. (2012) “Reconfiguring experimental archaeology using 3D reconstruction”, EVA London 2012 Electronic Visualisation and the Arts, Computer Arts Society, British Computer Society:

Woolford, K., Dunn, S. (2012) “Material Motion: A case study in quantitative motion analysis”, Computer Applications and Quantitative Methods in Archaeology (CAA 2012), Southampton, UK

Woolford, K., Dunn, S. (2012) “Provenance and Motion in Virtual Heritage”, with Stuart Dunn, Digital Humanities Symposium, Virtualisation and Heritage, University of York

Taylor, J.M., Woolford K. S.J. Norman, C. Guedes, et al (2011) “Motion in Place: Sounding Spaces, Movement, Affect and Technologised Mediation”,World Forum for Acoustic Ecology 2011: Crossing listening paths, Ionian University Corfu GR

Woolford K., Dunn S. (2011): “Motion in Place Platform: Virtual (Re)Presentations of Iron Age Movement”, International Society of Electronic Arts (ISEA 2011), Istanbul, TK

Warren L, Fuller T, Norman SJ, Woolford K, et al, (2011) “Realising the Value Spectrum: Creative Interdisciplinary Projects”, 1st Interdisciplinary Conference on Stakeholders, Resources, and Value Creation, IESE Business School, Barcelona, ES

Woolford K, (2011) “Re-Performing Memories of Motions in Place”, Performance Studies International #17, Utrecht, NL

Woolford, K., Dunn, S. (2011) “Motion in place: archaeological reconstruction and motion capture”, Computer Applications and Quantitative Methods in Archaeology (CAA 2011), Beijing, CN

Dunn, S., Woolford, K., Norman, S.J., et al (2010) “The Motion in Place Project: interim results and emerging questions Theoretical Archeology Group (TAG), University of Bristol

Woolford, K., (2010) “Motion in Place Platform”, Digital Resources for the Humanities and Arts (DRHA 2010) International Conference, Brunel University, UK

Woolford, K., (2008) “Swift Traces: Kinesis, Digitally Inscribed”, Digital Resources for the Humanities and Arts (DRHA 2008) International Conference, University of Cambridge, UK

Woolford, K., (2008) “Echo Locations”, ACM Special Interest Group on Graphics and Interactive Techniques, (SIGGRAPH 2008), Los Angeles, CA

Woolford, K., (2008) “Removing Ourselves from the Picture: Artist‘s Responses to Post-9/11 Image Surveillance Technologies”, New Sciences of Protection, Designing Safe Living, Institute for Advanced Studies, Lancaster University

Woolford, K., (2007) “Moving an Audience: Will.0.w1sp and Biological Motion”, TeDance, Technologically Expanded Dance International Conference, CULTUREGEST, Lisbon, PT

Woolford, K., (2007) “Particulate Matters: Generating Particle Flows from Human Movement”, ACM MM’07, 15th International Conference on Multimedia, Augsburg, DE

Guedes, C., Woolford, K., (2007) “Controlling particle systems through human movement”, Immersed Music, International Computer Music Conference (ICMC), Copenhagen, DK

Guedes, C., Woolford, K., (2007) “Controlling aural and visual particle systems through human movement”, Sound and Music Computing Conference, Lefkada, GR

Woolford, K., (2007) “Moving an Audience: Biological Motion and Will.0.w1sp”, Moves07 International Conference, Manchester, UK

Woolford, K., (2006) “Move Me: Application of Biological Motion in the Will.0.w1sp installation”, Creative Dates II, Northwest Art and Design Research Group, Liverpool Moores University and Foundation for Art and Creative Technology (FACT), Liverpool, UK

Woolford, K., (2006) “Installation to Performance”, Will.0.w1sp during Listening between the Lines Performance, Ars Electronica 2005, (re)Actor First International Conference on Digital Live Arts as part of HCI 2006, Queen Mary, UCL, London, UK

Woolford, K., (2006) “Will.0.w1sp”, Digital Resources for the Arts and Humanities, Dartington College of the Arts, Dartington

Woolford, K., (2003) “Reckless Eyes”, Playing Field, Montevideo, Netherlands Institute of New Media, Amsterdam, NL


Exhibitions, Screenings, Performances, and other Practice-based Output

Woolford, K, (Jan 2017), “Jinn-Ginnaye”, motion capture site-specific VR/AR Installation, University of Surrey

Guedes, C., Woolford, K, (Mar-Apr 2016), “Jinn”, Live Music/Dance performances, NYU Abu Dhabi

Woolford, K. (Oct 2014), “Moments in Place: Abu Dhabi”, ISEA 2014, augmented reality animations

Heap, I, Woolford, K, et al. (2014) "Imogen Heap, Me the Machine", Interactive real-time performance system for music video, released April 26, 2014, https://www.youtube.com/watch?v=N0lCL2hpRPM, accessed 6 Apr 16

Woolford, K (2013) "Gestural interfaces for Royal Institute Christmas Lecture", Windfall Films, Broadcast Dec 28, 2013, BBC1.

Woolford, K (2013) “Moments in Place”, Brighton Digital Festival, Brighton UK, September 1-30, 2013

Woolford, K (2013) “Kusho: written in the air”, co-commission from Brighton Digital Festival and Brighton Japan Festival, Brighton UK, September 13-17, 2013

Woolford, K, Guedes, C., Burfen, J.M., et al. (2012) “Concerto X: Guimarães” (Created real-time graphic and photographic visuals for Live performance with 17 piece orchestra before an audience of 800), Guimarães European Capital of Culture, PT, 1 October, 2012

Woolford, K, (2011) “Motions in Place” (Augmented Reality/Motion Capture dance installation, 3 locations), White Nights Nuit Blanche, Brighton and Hove City Council, UK, 29 October, 2011

Woolford, K, (2011) “But Still, it Moves” (Photography exhibition, 12 images and conference participation), Kinesthetic Empathy: Concepts and Contexts, University of Manchester, UK, March 8-10, 2010

Woolford, K, Guedes, (2009) “Echo Locations” (Interactive Installation, 2,500 viewers), Commissioned by Frog Design and University of Texas Austin for South by Southwest Interactive (SxSWi) Austin, TX, USA, 14 March, 2009

Woolford, K, Guedes, (2008) “Echo Locations” (Interactive Installation, Juried show, 35,000+ viewers), Slow Art - Evolve, ACM SIGGRAPH 08, Los Angeles, US, August 11-15, 2008

Woolford, K, Guedes, (2008) “Grass Traces” (interactive CGI installation) ton de video 08, Festival Internacional de Video Acert, Tondela, PT, 30 Apr- 3 May 2008

Woolford, K., (2008) “Will.0.video” (CGI animation, 5 mins), Black&White Festival,” Porto, PT, 2-5 April 2008

Woolford, K., (2008) “Will.0.video” (CGI animation, 5 mins), “Dance for Camera Shorts”, included in touring exhibition to 9 venues in the UK, South-East Dance, Brighton, Feb-Dec 2008

Woolford, K, (2008) “Storey Inside/Out” (photographic installation documenting month-by-month renovation of Victorian building 1200+ images projected on scaffolding and in tourist information centre) Storey Creative Industries Centre, Lancaster, December 2007 - October 2008

Woolford, K., (2007) “Will.0.video” (CGI animation, 5 mins), Dance for Camera Festival 2007, South-East Dance, Brighton, UK, 30 November – 2 December 2007

Woolford, K., (2007) “Will.0.video” (CGI animation, 5 mins), The Bigger Picture, Manchester, UK, 1-14 December 2007

Woolford, K., Guedes, C., (2007) “Will.0w1sp” (Interactive CGI installation + public artist presentation, 80,000+ viewers) “Digital Arts and Magical Moments Ars Electronica Exhibition”, Shanghai eArts, Shanghai, CH, October 19 - November 10, 2007

Woolford, K., Guedes, C., (2007) “Will.0w1sp” (Interactive CGI installation + conference paper and participation) ACM Multimedia Interactive Arts Program, ACM Multimedia 2007, Augsburg, DE, 24-29 September 2007

Woolford, K., (2007) “Will.0.video” (CGI animation, 5 mins), Dança em foco, Rio de Janeiro, BR, 8-14 August 2007

Woolford, K., (2007) “Will.0.video” (CGI animation, 5 mins), Moves07, Manchester, UK, 12-17 June, 2007

Woolford, K., Guedes, C., (2007) “Will.0w1sp” (Interactive CGI installation + conference participation) Futurevisual, Futuresonic Festival, Manchester, UK, 10-12 May, 2007

Woolford, K., Guedes, C., (2007) “Will.0w1sp” (Interactive CGI installation) Inspiration to Order, the gallery at Wimbledon College of Art, London, UK, 26 April – 25 May, 2007

Woolford, K., (2007) “Will.0.video” (CGI animation, 5 mins), 700IS Experimental Film Festival, Egilsstadir, Reindeerland, IS, 24-31 March 2007

Woolford, K., Bardget, R., Lavery, C. (2007) “Observing Nature: Performing Ecology” (Photographic exhibition of Sights of Specific Scientific Interest, 20 prints, 120 digital images), Lancaster Environment Center, Lancaster University, Feb-Mar 2007:

Woolford, K., “Will.0.video” (2007) (CGI animation, 5 mins), Langsett Independent Film Festival, Langsett, UK, Jan 2007

Woolford, K., Guedes, C., (2006) “Will.0w1sp” (Interactive CGI installation) Inspiration to Order, California State University, Stanislas, 26 September – 25 October, 2006

Woolford, K., Guedes, C., (2006) “Will.0w1sp” (Interactive CGI installation + conference participation) Digital Resources for the Humanities & Arts, Dartington, UK, 3-6 September, 2006:

Woolford, K., Guedes, C., (2006) “Will.0w1sp” (Interactive CGI installation, juried show) Vida 8.0 Art and Artificial Life, ARCO’06 Madrid, ES, 9-13 February, 2006

Stewart, N., Woolford, K., (2005) Chaining” (reactive CGI stage set), Ludas Dance, Dance Cuts, Nuffield Theatre, Lancaster, 13 September 2005

Woolford, K. (2005) “Listening Between the Lines” (live performance with Brückner House Orchestra, 900 live viewers), commissioned by Ars Electronica, Broadcast live on ORF (12 mins), Linz, AU, 5 September, 2005

Woolford, K., Guedes, C., (2005) “Will.0w1sp” (Interactive CGI installation) Dance Shorts, Overtom301, Amsterdam, NL, 14 July, 2005

Woolford, K., Guedes, C., (2005) “Will.0w1sp” (Interactive CGI installation) Waag Society for Old and New Media, Amsterdam, NL, 16-18 March, 2005

Woolford, K., (2004) “Will.0w1sp” (Interactive CGI installation + conference participation) Mediamatic Salon, Mediamatic, Amsterdam, NL, 4 July 2004:

Guedes, C., Woolford, K (2004) “CoR”, (reactive CGI installation 10,000 viewers), Festival Obra Aberta, Casa da Musica, Porto, PT, 20-24 June 2004

Woolford, K., (2003) “Reckless Eyes” (telematic performance and artist in residence), Playing Field, Montevideo Netherlands Institute for Media Arts, Waag Soceity, Amsterdam, April 2003:

Nas, S, Woolford, K., et al, (2002) “Spotthecam/I See” (Amsterdam-based version of Institute of Applied Autonomy iSee project identifying urban cameras and plotting path of least surveillance between locations) World Information.org, Oude Kerk, Amsterdam, NL, 15 November -15 December 15, 2002

Martelli, B., Gibson, R., Woolford, K., et al, (2002) “Winterspace” (interactive CGI installation, juried show), Monaco Dance Forum, Monte Carlo, Monaco, 16-20 December, 2002

Woolford, K., (2002) “Will.0w1sp” (Interactive CGI installation + conference participation, juried show) Monaco Danse Forum, Monte Carlo, Monaco, 16-20 December, 2002

Martelli, B, Gibson, R., Woolford, K., et al, (2001) “Viking Shoppers” (live performance with reactive CGI) “Encontros ACARTE” Centre de Arte Moderne, Gulbenkian Foundation, Lisbon, PT, 20-22 September 2001

Martelli, B., Gibson, R., Woolford, K., et al, (2001) “Winterspace” (interactive CGI installation), commissioned by Hoxton Hall, London, UK, Feb 2001

Woolford, K., Kozel, S, (2000) “contours” (installation, juried show), Monaco Dance Forum, Monte Carlo, Monaco, 2000

Woolford, K., Kozel, S, (2000) “contours” (live performance/installation), The Place, London, UK, 2000

Martelli, B, Gibson, R., Woolford, K., et al, (2000) “Viking Shoppers” (video installation) NOW festival, Broadway Media Centre, Nottingham, UK, 7-14 December 2000

Martelli, B, Gibson, R., Woolford, K., et al, (2000) “Viking Shoppers” (live performance with reactive CGI), Hoxton Hall, London, UK, November 2000

Woolford, K., (2000) “Rome & Jewels” (commissioned reactive CGI for live performance, 60 mins) Rene Harris Puremovement, and Soundlab, Philadelphia, PA, 2 October 2000

Martelli, B, Gibson, R., Woolford, K., et al, (2000) “Viking Shoppers” (live performance with reactive CGI) Digital Summer, Green Room, Manchester, UK, October 2000

Martelli, B, Gibson, R., Woolford, K., et al, (2000) “Viking Shoppers” (live performance with reactive CGI) live performance, Jackson’s Lane, London, UK, June 8-10, 2000

Woolford, K., Kozel, S, (2000) “contours” (live performance/installation, education workshop), Gallery, Nottingham, UK, 2000

Woolford, K., Stenslie, S., (2000) “Wie man sieht...”, cyberSM part of KHM show, Museum Ludwig, Cologne, DE, 2000

Woolford, K., Kozel, S, (2000) “contours” (live performance/installation), St Mary’s, Hastings, UK, 2000

Diller, L., Scofidio, R., Woolford, K., et al, (2000) “blur building” (commissioned by Diller + Scofidio architects for interactive installation project team for Swiss Expo 2002) New York, NY 1999-2000

Woolford, K., Kozel S, (1999) “figments”, performance/installation, Event Coast, Otter Gallery, Chichester, UK, 1999:

Norman, S.J., Woolford, K, Kozel, S., et al, (2000) “Im Fliegenden Raum” (dance performance with reactive computer graphics, 60 mins) Zentrum for Künst und Medien Technologie, (ZKM), Karlsruhe, DE, 1999:

Woolford, K., Kozel, S, (1999) “contours” (live performance/installation, education workshop), University of Surrey, Guildford, UK, 1999

Woolford, K., Kozel, S, (1999) “contours” (live performance/installation, education workshop), Dance Screen 99, Cologne, DE, 1999

Woolford, K., Kozel, S, (1999) “contours” (live performance/installation), Fabrica, Brighton, UK, 1999

Kozel, S., Woolford, K., (1999) “Hotel New York Residency”, (performances of work in progress) PS-1 (MoMA), NY, 1999

Rubidge, S., Woolford K., et al, (1998) “King Kanut”, (dance/video installation), Migratory Bodies, Chichester College, Chichester, August, 1998:

Kozel, S, Woolford, K, (1998) “Liftlink”, (live telematic dance performance), Brighton Festival, Brighton Media Centre, Brighton, UK, May, 1998

Kozel, S, Woolford, K, Schiphost, T., (1996) “Multi-Medea” (live motion capture dance performance), Future Moves, Lantaren Venster, Rotterdam, NL, July 1996

Paci Dalò, R., Atzori, P., Woolford, K., et al, (1996) “SHIPL”, (Live streaming broadcast, 60 mins) La Nuit du Centenaire de la Radio, Cologne, Germany & Arles, Fance, 27 July 1996

Moreau, J.F., Woolford, K. (1996) “folie” (Multi-sequence hologram) Art in Holography2, University of Nottingham, Nottingham, UK, September, 1996

Flamand, F., Diller, L., Scofidio, R., Atzori P., Woolford, K, et al, (1996) “Moving Target”, (virtual set for live performance) Charleroi Danses, Charleroi, Belgium, toured by company 1996-1998

Woolford, K. (1995) “AOL, Tessla Calling” (Audio Sculpture and dancer performance), Art Cologne, Kölnische Kunstverein, Cologne, DE, 11-19 November, 1995

Stelarc, (1994) ”Amplified Body”, (assisted Stelarc and conducted interview), Kunsthochschule für Medien, Cologne, DE, October 1994:

Woolford, K., Stenslie, S., (1994) “cyberSM III”, (telematic CGI installation/performance), ISEA ‘94, Museum of Contemporary Art, Helsinki, FI, 1994

Woolford, K., (1994) “Telehaptic Research Lab”, (2 site performance/installation), Sommerakademie, Akademie der Kunste, Berlin, DE, 21 June – 7 July, 1994

Flamand, F., Plessi, F., Atzori P., Woolford, K, et al, (1994) “Ex Machina”, (video animations for stage set) Charleroi Danses, Charleroi, Belgium, toured by company 1994-1996

Woolford, K., Stenslie, S., (1994) “cyberSM”, (telematic CGI installation/performance Live Broadcast, 20 mins), Boulevard Bio, WDR, Bonn & Cologne, DE, 1994

Woolford, K., Stenslie, S., (1994) “cyberSM”, (telematic CGI installation/performance), Planet Sex Ball, London, UK, 1994

Woolford, K., Stenslie, S., (1993) “cyberSM”, (telematic CGI installation/performance), Voyages Virtuel, Paris, FR, 1993

Woolford, K., Waite C., (1993) “New Digital Media: Two American Artists in Köln” (CGI Photographs, 12 images), Art Cologne, Amerika Haus, Cologne, DE, November-December 1993

Galloway, K., Rabinowitz S., Woolford., K., et al, (1993) “Message in a Bottle” (telematic painting performance) Electronic Café Aarhus, Aarhus Festival, 6-9 September, 1993

Woolford, K., (1993) “Not One of Us” (remotely viewable 3D Sculpture) Electronic Café International and Casino Container, Cologne & Venice Biennale, 11-16 July, 1993

Galloway, K., Rabinowitz S., Woolford., K., et al, (1992) “Electronic Café International” (technical director, international networking) SIGGRAPH 92, Chicago, IL, 26-31 July, 1992

Buckley T., et al, (1991) “Dis-organized”, (un-credited dancer, 8 mins) commissioned by KTCA-TV, Minneapolis for broadcast on “Alive from Off Center, Dances in Exile”, Chicago IL, 3-17 July 1991

Buckley T., et al, (1990) “High Atmosphere”, (un-credited dancer, 20 mins), Dance Expo ’90, Moming Center, Chicago, IL, 3 August, 1990