It is more about the dialogue between the imagery and the performers than the display value of dancers moving with projections on and around them.

Without intending to construct a narrative with contours, one seemed to emerge around the theme of creation of the self, tension and finally a form of dissolution into another state. We didn't select a set of imagery, it emerged as we worked.

The performance travels in three phases from the lower to the upper regions of its space. The interactions of the live performers with their computer-generated "others" follow an interrupted progression of evasion and conjunction, reaction and response across varying degrees of distance.